Beauty: In Some Recent Art
The term ‘beauty’ has been all but expunged from recent art criticism. And yet beauty remains a quality that many artists over the last 50 years have regarded as vital to their work, in both form and subject matter. This book comprises a timely and controversial assertion of beauty as vital to the energy of contemporary art, from Gilbert & George as supreme aesthetes to contemporary artists as varied in their practice as Isa Genzken, Kai Althoff, Lucy McKenzie, Lukas Duwenhögger, Berkeley Hendricks and Wolfgang Tillmans, to whom are added Lana del Rey and Andy Warhol.
This book comprises a timely and controversial assertion of beauty as vital to the energy of contemporary art. As such it surveys work by an international group of artists who share an intense and highly individualistic focus on the processes of making, authorship and aesthetic poise. An essay by Michael Bracewell shares with its subjects the return of aesthetics to the science of feelings; to the individual as opposed to ‘identity’; and to a sensibility in visual art that is literary, flees the stereotype and rejects sociopolitical verbiage.
It is a concept of beauty in some recent art that is less about representation than it is about memoir, fictional devices, cultural connoisseurship as praxis and the profundity of human relationships.
Hardback, 95 pages
The term ‘beauty’ has been all but expunged from recent art criticism. And yet beauty remains a quality that many artists over the last 50 years have regarded as vital to their work, in both form and subject matter. This book comprises a timely and controversial assertion of beauty as vital to the energy of contemporary art, from Gilbert & George as supreme aesthetes to contemporary artists as varied in their practice as Isa Genzken, Kai Althoff, Lucy McKenzie, Lukas Duwenhögger, Berkeley Hendricks and Wolfgang Tillmans, to whom are added Lana del Rey and Andy Warhol.
This book comprises a timely and controversial assertion of beauty as vital to the energy of contemporary art. As such it surveys work by an international group of artists who share an intense and highly individualistic focus on the processes of making, authorship and aesthetic poise. An essay by Michael Bracewell shares with its subjects the return of aesthetics to the science of feelings; to the individual as opposed to ‘identity’; and to a sensibility in visual art that is literary, flees the stereotype and rejects sociopolitical verbiage.
It is a concept of beauty in some recent art that is less about representation than it is about memoir, fictional devices, cultural connoisseurship as praxis and the profundity of human relationships.
Hardback, 95 pages