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A Universal Archive: William Kentridge as Printmaker

A Universal Archive: William Kentridge as Printmaker
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A Universal Archive: William Kentridge as Printmaker includes over 100 prints made between 1988 and the present day. Internationally acclaimed for his drawings, films, theatre and opera productions, William Kentridge is also a prolific printmaker. His distinctive use of shadow and silhouettes, his concern with memory and perspective, and his keen interest in literary texts, are all strongly in evidence throughout this book, which provides new insights into the working methods of this innovative artist.

 

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A Universal Archive: William Kentridge as Printmaker includes over 100 prints made between 1988 and the present day. William Kentridge's distinctive use of shadow and silhouettes, his concern with memory and perspective, and his keen interest in literary texts, are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist.

Internationally acclaimed for his drawings, films, theatre and opera productions, Kentridge is also an innovative printmaker; over the past 25 years, he has produced more than 300 prints – including etchings, engravings, aquatints, silkscreens, linocuts and lithographs - often experimenting with unusual formats and printing techniques to create highly-worked, intensely atmospheric imagery. A series of previously unpublished works are included in this book, along with some of Kentridge's most highly regarded early prints.

Featuring an original essay by Rosalind Krauss, and an interview with the artist by writer and printmaker Kate McCrickard, this beautifully produced volume is both a valuable reference tool and a visual exploration of Kentridge's history, influences and working practice.

Foreword by Roger Malbert
Essay by Rosalind Krauss
Interview with the artist by Kate McCrickard

Softcover
144 pages
24 x 24.5 cm
111 colour and b/w ills
ISBN 978 1 85332 301 0
RRP £14.99

Designed by Emily Chicken

Rosalind Krauss is an American art critic, theorist and a professor at Columbia University in New York. Her writing has been published steadily since 1965 in ArtforumArt International and Art in America. She was associated editor of Artforum from 1971 to 1974 and has been editor of October, which she co-founded in 1976.

Kate McCrickard is a British artist and writer based in Paris, France. She graduated from the University of Edinburgh, Scotland in 1998 where she received her MA Honors Degree in Fine Art. Her work is included in the collections of The Royal Scottish Academy in Edinburgh and The British Museum in London.

Roger Malbert is Senior Curator of Hayward Touring.

 

 

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